Multicultural Children’s Book Day 2021

On January 29, Star Bright Books proudly returned as a sponsor for Multicultural Children’s Book Day on Jnau! We appreciate the opportunity to participate in this celebration of representation and diverse stories. Multicultural Children’s Book Day aims to connect young readers with multicultural books and expose them to new perspectives.

 

Volunteers read and reviewed three of our titles—Twinkle, Twinkle, Diaper You!; The Big Day; and 21 Cousins—for MCBD. Below are some of their kind words. Thank you to everyone who participated and reviewed our books!

 

For more information about Multicultural Children’s Book Day, visit their website, Facebook page, or Instagram account.

 

The Big Day, written by Terry Lee Caruthers and illustrated by Robert Casilla.

The Big Day

Jennifer Burgin (Twitter: @mrsjburgin)

“. . . The Big Day ends with two full-page spreads describing aspects of Women’s Suffrage & surrounding politics of the era. It can help equip educators to discuss topics like racism, riots, suffrage and gender equality.”

 

Karina Elze (Facebook: Elze Kids Online)

“I love this book because I am able to cover so many topics with my students, whether it be the civic duty of voting, equality, or history. The illustrations are very detailed and the real newspaper headlines brought it more to life.”

 

Jason DeHart (Book Love/Dr. J Reads)

“The story is powerfully told in words from Caruthers, and would make a wonderful read aloud or shared reading for younger readers, as well as an independent read. I can even see this book as a powerful site for literacy development and cultural discussion for older readers as an introduction to a unit or prelude to a longer text.”

 

Valerie Williams-Sanchez (Valerie’s Vignettes)

“[E]xplore[s] the past in ways that make[s] history come alive, offering [a] fresh perspectives and reconstructed imagining of [an] important event in our nation’s history. . . imagines the excitement of being the first Black woman to cast her ballot in Knoxville, Tennessee.”

 

Dolisha Mitchell (Instagram: @littleblackbooknook)

“The back matter of this book includes so many fascinating facts and details such as a timeline of women’s suffrage world wide, newspaper clippings, and more details about the life of Agnes Sadler.”

 

Roberta Gibson (Wrapped in Foil)

The Big Day is perfect to share for Black History Month (February), Women’s History Month (March), and around elections. Children, particularly budding historians, are going to be fascinated by this glimpse into an important time. Delve into a copy today!”

 

Twinkle, Twinkle, Diaper You!, written by Ellen Mayer and illustrated by Ying-Hwa Hu.

Twinkle, Twinkle, Diaper You!

Zainab Hasan (Instagram: @busyammareads)

“A very sweet board book, Twinkle Twinkle Diaper You! introduces the importance of ‘parentese.’ A form of communication between a child and parent that leads to relationship building.”

 

Sita Singh (Instagram: @sitawrites)

“I love that the book features a family that is diverse and multigenerational, and includes a note that highlights the importance of interacting with your baby. This book is a must-have for all new parents, grandparents, and caregivers!”

 

Jannette Irwin

“I will recommend this book to anyone who wants to have fun while building a warm relationship with his/her baby through playful conversations.”

 

Jolene Gutiérrez

“This beautiful board book features Mommy and Baby as they interact and communicate during Baby’s diaper change. The story serves as a reminder to parents and other caregivers that every interaction with a child can be meaningful.”

 

Kristen Zellner (Eat, Pray, Travel, Teach)

“The illustrations alone are a wonderful addition to any library but I truly think this is one that should be gifted at every baby shower.”

21 Cousins, written by Diane de Anda and illustrated by Isabel Muñoz.

21 Cousins

Patricia Nozell (Wander, Ponder, Write)

21 Cousins is a celebratory exploration of family and mestizo heritage. Readers meet each cousin in this loving family in turn, making it a perfect book to explore how we are the same and different. I love that physical attributes, skills, and passions are highlighted—I think readers may find someone who is just like them (or like one of their family members).”

 

Melissa Mwai (Kid Lit Cliffs Notes)

“[T]here seems to be every different type of person in this mestizo family. Such an immediate “draw”! . . . I love that the English version works in a lot of Español! It feels very conversational.”

 

 

 

 

Promoting Inclusive Communication by Unlearning Ableist Language

Language is constantly evolving and adapting. The acceptability of common rhetoric may shift or change as communities come to discover language that best represents their identities or as the origins of words come to light. Harmful terminology regarding people with disabilities is normalized in everyday vocabulary, and advocates are speaking up about it.

 

Much of today’s common language is at risk of perpetuating ableist narratives, often failing to accurately convey one’s message. The inherent ableism in modern language may not always be widely evident, but learning about its impact can help to avoid causing unintentional harm in the future. By teaching kids­­ more inclusive language from a young age, the normalization of ableist language can begin to be dismantled. Encouraging inclusive language can also help children learn word meanings and develop interpersonal communication skills.

 

What is ableism?

 

Ableism is discrimination or prejudice, implicit or explicit, against people with disabilities. Ableism is rooted in the harmful belief that disabled people are inferior to able-bodied people. It can manifest in a variety of ways, including able-bodied actors portraying characters with different abilities, uploading digital photos without alt-text or captions, lacking ramp or elevator access in buildings, and using language, as insults or otherwise, to “other” people with disabilities.

 

The Americans with Disabilities Act (ADA), defines a disability as “a physical or mental impairment that substantially limits one or more major life activities, a person who has a history or record of such an impairment, or a person who is perceived by others as having such an impairment.” With this in mind, the ADA is actually representative of a wide array of people!

 

How does ableism impact language?

 

The range of language that carries ableist connotations is vast, including insults, cliches, descriptors, and reactions. Many words with ableist ties are filler and can be better conveyed with alternative vocabulary choices. Others are words used to negatively classify people with disabilities.

 

For example, words like “crazy,” “stupid,” “insane,” “dumb,” and “psycho” draw on stereotypes that belittle or mock mental illness and impairments. More explicitly, using “OCD” to say you’re highly organized or “depressed” to express sadness—without a diagnosis of either—also serves to downplay the severity of mental illnesses that people manage on a daily basis. Ableism has impacted language by normalizing the co-opting of disability rhetoric by non-disabled people, especially through words that express diagnosis or mockery.

 

Ableism is also responsible for making the very word “disability” taboo, resulting in the normalization of alternate words that serve to make able-bodied people comfortable with the subject of disability rather than prioritizing the comfort of disabled people in their identity. Such alternate words and phrases include “handicapped,” “special needs,” and “differently abled,” to name a few, which are effective in avoiding the legal, medical, and social realities of disability. By dancing around the subject of disability, this rhetoric prioritizes assimilating people with disabilities into an able-bodied-centric society over making society accessible to all.

 

How can parents and children incorporate more inclusive, less ableist language?

 

The most significant step for parents in working toward more inclusive language is to listen to people with disabilities, especially as resources can quickly become outdated. Following disability advocates and reading or watching recent content with children that is created by people with disabilities are also easy ways to engage with the community’s conversations. It’s similarly important to note that people with disabilities may have individual preferences towards terminology, so it’s always best to ask!

 

From Brothers And Sisters, written by Laura Dwight.

 

For instance, there is some debate between the usage of “people with disabilities” and “disabled people.” The former is an effort toward empowerment by choosing to avoid defining people by their disabilities, while the latter is an effort toward reclamation of the word “disability” and a rejection of rhetoric that must remind people of someone’s humanity prior to their disability status.

 

Another rule of thumb is to do your own research! If you suspect a word may have questionable connotations, look into its origin to see if it has been used to inappropriately classify mental or physical impairments.

 

Even though ableism may seem deeply woven into society, there are simple changes you can make to your daily language and instill in your children! Doing so improves communication of meaning and avoids perpetuating stereotyped, belittling, or mocking ableist narratives.

 

  • Instead of “dumb” or “stupid,” try uninformed, uneducated, ignorant, illogical, or nonsensical.
  • Instead of “crazy” or “insane” (meaning intense), try shocking, awesome, amazing, incredible, fascinating, extremely, unpredictable, irrational, or unreasonable.
  • Instead of “crazy” or “insane” (meaning absurd), try outrageous, unacceptable, ridiculous, bizarre, wacky, unbelievable, or unreal.
  • Instead of “psycho,” try dangerous, threatening, unnerving, or chaotic.
  • Instead of “OCD,” try meticulous, precise, focused, detailed or detail-oriented, organized, clean, neat, or picky.
  • Instead of “lame,” try bad, boring, unpleasant, unpleasing, lackluster, insufficient, or inadequate.
  • Instead of “depressed,” try sad, down, blue, upset, or tired.
  • Instead of “blind” (meaning unaware), try ignorant, careless, insensitive, thoughtless, or oblivious.

 

While it may seem daunting to alter your everyday speaking and writing habits, the change will be a positive one for you, those around you, and your children. Navigating ableist language is a nuanced and ever-changing landscape, but the effort to unlearn it will become easier with practice and encourage the natural use of inclusive language by your children who learn through observation. Kids raised by and around people who actively avoid using ableist language will help language become a more inclusive and accessible space for people of all abilities.

 

Artist Spotlight: Robert Casilla

In this Artist Spotlight, we talk with illustrator Robert Casilla about his newest book The Big Day, his artistic approach and illustrative process, and advice for young and aspiring illustrators of color.

 

Robert Casilla.

 

Star Bright Books (SBB): Tell our audience how your illustration career started.

 

Robert Casilla (RC): I attended the School of Visual Art in NYC and majored in illustration and fine art. After graduation in 1982, I began to take illustration jobs for magazines and newspapers including Black Enterprise, Video Review, the New York Daily News and New York Times weekend magazines, postage stamps, and other publications.

 

From there, I illustrated a YA book cover for Bradbury Press/Simon & Schuster, which eventually led to being offered a job to illustrate The Train to Lulu’s by Elizabeth Fitzgerald Howard. Then, within a few days I was hired to illustrate Martin Luther King, Jr.: Free at Last for Holiday House. Those two book jobs started my career as a children’s book illustrator.

 

SBB: How has the children’s publishing industry changed (good and/or bad)?

 

RC: Today it’s much easier to have my work noticed by publishers because of the Internet and social media. When I started as an illustrator in the 1980s, I had to make appointments and/or drop off my portfolio to art directors/editors at publishing companies, which was time-consuming. It’s much easier for up-and-coming illustrators than when I started in the old days. Delivering finished art was either done in person or sent via FedEx. Today, we can send art out digitally and hold on to the originals, which is good because a book printer once lost all of my artwork.

 

SBB: Who are your favorite illustrators? How have they inspired your art style?

 

RC: I admire a lot of my fellow illustrators’ work, some of which are close friends. My favorites are Winslow Homer, NC Wyeth, Norman Rockwell.

 

Jerry Pinkney is my favorite living illustrator. His work is very inspiring to me, not only as an illustrator but as an artist. Although my work is different, I’m inspired by his free and fluent style with watercolor.

 

SBB: You’ve illustrated dozens of books in your career, earning the right to be selective. What do you look for in a book project when deciding to accept or reject an invitation?

 

RC: I look for mildly emotionally moving stories whether it’s fiction or a nonfiction biography. Stories that help young readers become familiar with another’s culture, customs and help to emote empathy for other children and familial situations. I also look for stories that fill my mind with many images to create pleasing art.

 

SBB: What message do you hope to convey to young readers through your work?

 

RC: Well, my goal as an illustrator is to create art that compliments the story and helps bring it to life for young readers.

 

SBB: Your latest book, The Big Day, takes place in 1919 in Knoxville, Tennessee. How did you approach the setting and characters for this project?

 

RC: Since I work in a somewhat realistic style, I rely on models for the main characters. I also do a lot of research about the period, clothing, and everything that will appear in the artwork.

 

With The Big Day, because of the pandemic I had to change my method by creating the characters without the aid of photos of models.

 

I used artist manikins and photos that had the poses I needed to create each spread. I had previously thought about trying this approach on a book but I was concerned about the end results. This way of working is more time-consuming, but now I know that I can do it without changing the overall look of my book illustrations.

 

Cover of The Big Day, illustrated by Robert Casilla.

 

SBB: Take our audience through your illustration process for The Big Day.

 

I started by reading the story a few times. Then the text was divided for each page or double-page spread. I did thumbnail sketches for each page. Thumbnail sketches are quick 2”x 4” rough scribbles that allow me to plan out the whole book. These tiny sketches show the images that I visualize while I’m reading the divided text and indicate how the words fit within the sketched idea.

 

Doing these sketches helps in trying to make each page different. I try to think of this stage as if I were doing a comic strip, by doing scenes that are close up or farther away and from different views. These sketches are not usually shown to the publisher. They are meant as my visual plan for the book. The sketches tell me what research I need for each scene.

 

Once I completed most of my research, I then developed the characters. Since I couldn’t hire models I looked for pictures of people that looked somewhat like I imagined the characters. Then I drew the character’s faces at different views and angles and in the poses required as I explained above.

 

Once the sketches were completed I sent them to Star Bright Books for approval. After a couple requested changes, the sketches were approved. Next I went on to do the finished, more detailed drawings for each page on watercolor paper for the final paintings.

 

SBB: What advice would you offer young people of color eager to enter the publishing industry?

 

RC: I would advise young illustrators of color to really work hard on your craft. Drawing well is crucial for illustrators, especially children’s book illustrators. Choose a medium that you like to work with, whether it’s watercolors, acrylics, oils, colored pencils, pastels, or digital.

 

Create a portfolio of art that you enjoy doing and is applicable to picture books. When creating art for a book, learn as much as possible about the story’s subject matter and period by doing a lot of research.

 

Also, use life experiences or your childhood memories when you’re creating the art, which can enhance the story visually without altering it. If a character is sad or happy about something, try to relate to how that character feels by thinking about how you felt when you were sad or happy about something and then communicate that in the art with the idea/concept, design/composition and color, tone. . . .

 

I would also advise young illustrators to always do the best job possible regardless of the financial terms. Because the final product will have your name on it and will most likely be seen by many people and hopefully be in circulation for a long time.

Artist Spotlight: Terry Lee Caruthers

In this Artist Spotlight, we talk with children’s book author and librarian Terry Lee Caruthers about her new book The Big Day, her entry into children’s books, and her East Tennessee roots.

 

Star Bright Books (SBB): What inspired you to begin writing books for children and young adults?

 

Terry Lee Caruthers (TLC): A Christmas legend. In December 1995, I was requested to give a storytelling performance for a woman’s group at an area church. While I was preparing, I ran across a two-sentence Christmas legend used as filler in a newspaper circular. Intrigued, I tried to find more information. When I could not, I decided it was a tale that I would have to write myself. I did and titled it A Gift of Thanks. That was the first book I wrote, and I hope that one day it will find a publisher. 

 

SBB: Your book ideas often spur from real people and real events. Why? 

 

TLC: I attribute that to my innate curiosity. An article will catch my eye, and the next thing I know there is a story germinating in my head. Sometimes they are fact-based like a picture book manuscript I wrote on Beauford Delaney titled Shoes Led The Way or my “A Glimpse of Knoxville, Tennessee History” picture storybook series that’s currently in progress. Other times they are fictional like the middle grade novel I am currently working on. The idea was inspired by an NPR StoryCorps episode.

 

SBB: Tell our audience about your Knoxville, Tennessee, roots and how they inspire your storytelling.

 

TLC: I am a lifetime resident of South Knoxville, an area near and dear to my heart. The Tennessee River separates it from the east, west, and north areas of the city. That’s why in South Knoxville’s early history it was referred to as “South America” and was slow to develop, even after Chapman Highway was built in the 1930s as the gateway to the Smoky Mountains. Nature still abounds from its kudzu-covered ridges to the limestone rock formations peeking out from the sides of the highway to the ubiquitous sinkholes that deter any type of development. 

Even though I live in a 1940s city subdivision, I can glimpse deer, fox, coyotes, rabbits, possums, raccoons, and the occasional bobcat wandering through my yard. On rare occasions, even a black bear. I guess that’s why I love it. I sit in my swing on the screen porch and let nature inspire me, like watching the crows bully a red-tailed hawk. It’s a description that I’ve used in at least two of my writings.

 

SBB: What message do you hope to convey to young readers through your work? 

 

TLC: As a librarian, I want to covey the importance of facts, even in fiction. Everything I write is researched through verifiable sources. For instance, I have a middle grade Civil War manuscript titled The Faithful Dog that I’m currently submitting to publishers. It was inspired by an actual event following the Battle of Shiloh. Even though this is a fictionalized account, I researched several genealogical databases to find background information on the dog’s family, as well as articles and books regarding the military unit they were associated with. As a result, the novel has a ten-page bibliography!

 

SBB: Your latest work, The Big Day, tells a fictionalized version of events that took place on September 6, 1919, when Agnes Sadler became the first Black woman to vote in Knoxville. Can you describe the impetus of the book?

 

TLC: Upon discovering Agnes Sadler’s name in a 1919 newspaper article [about the first women voters in Knoxville], I kept thinking what a momentous day that had to have been for her. Of course, at that time I knew nothing about Mrs. Sadler. I did, however, know that I had managed to discover a significant person in our city’s history. Then as I drove home, the words “It’s big day” began rattling around in my head. That night, Tansy made her appearance and I began drafting the story of Big Mama.

 

Cover from The Big Day by Terry Lee Caruthers

SBB: Why did you feel Agnes Sadler’s story was one worth telling and pursuing? 

 

TLC: I lived though the feminist movement in the 1970s. When I attended the University of Tennessee I minored in women’s studies. Susan Becker’s history classes were eye-opening, exposing me not only to the role of women in our country from its founding, but [also] the role of people of color, both male and female. I became impassioned about it. What is truly frustrating is that, even today, so much of this history remains hidden. Lost. Untold. When I was indexing that newspaper article and saw that little ‘c’ beside Agnes Sadler’s name, it took my breath away. Here was a woman who had a pivotal role in the history of our city, and she had been lost for nearly a hundred years. I immediately shared the news with Bob Booker, Knoxville’s local civil rights icon and author of several books on our local Black history.

 

SBB: You’ve developed an acquaintance with Agnes’s descendants through The Big Day. What does that mean to you? 

 

TLC: When I started researching Agnes Sadler’s life, I had so hoped to be able to connect with her family and share the significant role she had in Knoxville’s history. I’ve often wondered if she knew herself. I had just about given up when a research breakthrough connected me with her great-grandson. I was delighted to share, not only this historic moment, but [also] the information I had gleaned about her that is contained in the book’s biography. Perhaps that’s the librarian in me, being able to connect people with information.

 

SBB: Can you reveal what you’re working on now?

 

TLC: Many, many things. I have a variety of picture books that I’m seeking publication on. Then there’s my middle grade novel titled Red and Me that is under review by my critique group. It has been described as a cross between To Kill A Mockingbird and Old Yeller, with one agent calling its characters “timeless.” Hopefully, it will soon find a home with a publisher. One of my unfinished projects that I’m currently concentrating on is a middle grade novel titled If Love Was a Smell. I’m about two-thirds of the way through and hope to finish it by the end of the year.

 

Building Vital Intergenerational Relationships through Reading

Many people are losing out on time with family members during the pandemic, but this isolating reality has been particularly hard-hitting on the elderly. They are unable to see their grandchildren, youthful chess companions, or book club members who offer a sense of community.

 

Children, teens, and young adults are losing out too. They don’t get to converse or bake with their grandparents or elderly loved ones.

 

Reading is one of the fundamental pillars of human connection. It allows people across generations to relate to each other and discuss characters or themes that pertain to their own lives. Literature is a staircase into another world, and it is possible for two generations to scale those stairs together, forming a bond that can benefit both parties.

 

Young people and older relatives who live in the same household can read together in-person. For those who live apart, technology exists to connect with family members worldwide via FaceTime or Zoom, and this bonding can be furthered through reading.

 

What are the benefits of forming an intergenerational bond?

Relationships offer mutual benefits we might not consider. Intergenerational bonds reward both young and old people because they can learn from each other (stringing together the past and future). Reading together brings out the inquisitive and social sides to of everyone, but there are individual benefits as well.

 

For elder generations, reading together:

  • Prevents loneliness.
  • Keeps them updated on current trends.
  • Allows them to share their own stories and pass on lessons.

 

For children, teens, and young adults, reading together:

Reading with grandparents is a beautiful and rewarding experience for everyone. (from Read to Me, illustrated by Kyra Teis)

 

Grandparents/elders reading with young children

Children and grandparents can build many fond memories reading together, whether it’s five minutes a day or two hours per week. Children can share their dreams for the future by recognizing themselves in books, and grandparents can encourage them to pursue their interests. This also intensifies a child’s sense of family belonging and reinforces the place a grandparent has in it.

 

Here are some tips to make efficient use of reading time:

  • If reading together remotely, record yourself reading aloud for a change of pace from
  • FaceTime or Zoom.
  • Allow children to pick a book. It shows that you trust their opinion, no matter how many times you reread the same book.
  • Keep a stockpile of genres handy so there are lots of options.
  • Ask each other questions about the book.
  • Make sound effects while reading.
  • Give books as presents.
  • Take turns reading aloud.

 

Grandparents/elders reading with teens, college students, and health workers

A book club is one of the best ways to engage in a cross-generational gathering.

 

A book discussion group can be anywhere with anyone: over an online platform, on a patio, in a church basement, at an assisted living facility, or in any community space where people who love literature can come together.

 

The best way to facilitate a book discussion is to keep the group under ten people with an equal number from older and younger generations. Participants should be excited and willing!

 

Pick books that feature friendship amid a generational gap, use icebreakers during the first meeting, have a set of rules and expectations to build structure, make accommodations for anyone who is hard of hearing or visually impaired, and if online, ensure that everyone is able access the platform and feel comfortable in this environment.

 

Group discussions can be quite rewarding. Other enriching elements are friendships formed outside of a club and creative, book-related group activities.

 

However you choose to read together, be authentic and let the book be a guide toward connection. There is power in shared experience.

2020: The Year in Review

As we bid farewell to the trying and difficult year of 2020, it is important to reflect on everything that has happened, both on a worldly scale and within the publishing community.

 

The year started with whispers of a deadly, fast-spreading virus. By April, it seemed the whole world was on total lockdown to try and slow the spread of COVID-19. With every month that passed, a new hardship came to light: calls for racial justice, the fight for a new presidency, and the general uncertainty of the COVID-19 outbreak.

 

In this piece, we recap last year’s hardships and look to 2021 with a new hope.

 

A Look at What Happened

 

Last year brought with it many unbelievable challenges.

 

At the end of 2019 and start of 2020, a mysterious virus started to spread across the world in rapid succession. By mid-February, many countries had instituted restrictive measures, such as lockdowns and shelter-in-place or stay-at-home orders to try and contain the virus. The United States declared a national emergency in March.

 

With the restrictive measures in place many stores and other establishments closed their doors to the public, leading to a downturn in business and an increase in unemployment. Those who were fortunate to avoid unemployment transitioned to remote work, which brought its own challenges. However, December ushered in a wave of hope in the form of COVID-19 vaccines, one of which is reported to be 94% effective.

 

Along with the lockdowns and economic instability, there was an increased awareness of social injustice across the US and the world. Calls to end systemic racism and implement changes in police training are not a new concepts, but with people more connected than ever through the Internet and the tragic deaths of George Floyd and Breonna Taylor, these issues were broadcast around the world. In a recent roundtable interview with NPR’s David Greene, Lynsey Chutel, a South African journalist, said, “There is a George Floyd in every country.”

 

On top of these obstacles, 2020 was a presidential election year that brought several Democratic candidates. In the end of a divisive election cycle, Democrat Joe Biden defeated incumbent Republican Donald Trump to win the presidency.

 

Finally, 2020 was the 100th anniversary of the ratification of the Nineteenth Amendment to the US Constitution. The Nineteenth Amendment, which granted women the right to vote, was ratified on August 18, 1920. It marked the end of a decades-long fight for women’s suffrage and publically declared, for the first time, that American women, like men, deserved all the rights and responsibilities of citizenship.

Young Tansy helps Big Mama vote in “The Big Day.” (illustrated by Robert Casilla)

COVID-19’s Effects on Publishing 

 

The spread of COVID-19 also had a profound effect on the publishing world in 2020. At the end of March, when COVID-19 was declared a national emergency, book publishers made tough decisions to delay publication dates for key books. This resulted in a bit of a printing jam when the delayed books ran into the production cycles of other forthcoming titles. Needless to say, the backlog created havoc for authors and publishers alike.

 

The publishing world was forced to learn how to quickly pivot to virtual learning and reading. Publishers turned to more virtual offerings such as book tours, school visits, and book events—all offered online instead of in-person.

 

Many publishing houses also enforced remote work as the new standard. The day-to-day life of producing a book shifted in 2020—from spreading out printing proofs, artwork, and advance copies across huge conference tables to share with office colleagues to sending printing proofs and advance copies by mail to reduce touch points.

 

Dan Potash, VP and creative director at Simon & Schuster Children’s Publishing, recently said in an Publishers Weekly article, “Working from home has magnified the incalculable value of the impromptu meeting, the in-the-elevator exchange, the outside-my-doorway-lunch-plan-turned-brainstorming-session, or spontaneous detour to a designer’s office to tell them how impressed I am with their work. It’s both the obvious and the subtle power of these moments that are missing these days.”

 

In spite of these challenges, some workflow changes have been greatly beneficial, such as the reduced cost and time efficiency of sending digital book copies for review. Increases in Zoom, Skype, and phone meetings, as well as email communication all worked together in 2020 to ensure that book production continues forward. Due to the expansion of homeschooling and remote learning, sales in juvenile and adult nonfiction books skyrocketed last year.

 

A Peek into Star Bright Books’s Year

 

Star Bright Books was equally impacted by 2020. Like many publishing houses our list was much smaller than usual, but all the more special. We published four new books last year: Twinkle, Twinkle, Diaper You! (June 30), The Little Red Crane (August 17), Shapes at Play (October 15), and The Big Day (October 30).

 

Twinkle, Twinkle, Diaper You! is available in English and Spanish/English. (illustrated by Ying-Hwa Hu)

 

We also added books in Swahili, Punjabi, and Hopi, bringing us to 29 different language offerings. Hopi is the third Indigenous language on our publishing list.

 

Even with last year’s struggles and uncertainty, 2021 is a time for hope and coming prosperity. With the world working together to produce and distribute COVID-19 vaccines and the increasing demand for books, it is only a matter of time before a return to normalcy takes place.

 

All of us at Star Bright Books wish you a wonderful 2021 filled with new hope, and most importantly, new and inspiring stories.

Helping Children Develop Grief Coping-Mechanisms

The holidays present a unique challenge for grieving families on top of the chaos of a pandemic. With an estimated 1 in 14 children in the U.S. dealing with the death of a parent or sibling before the age of 18, and many more experiencing the death of a beloved pet, grandparent, or friend or family member, it is extremely important for caregivers to know how to support children in these crises. Coping with grief is never easy no matter one’s age, but below are guidelines experts recommend to make the mourning process less encumbering and more accessible for young children.

 

From Always By My Side, written by Susan Kerner and illustrated by Ian P. Benfold Haywood.

Encourage the Child to Talk about their Feelings

In many Western countries, the subject of death and grief is an uncomfortable one, to be mentioned briefly in polite conversation before quickly being cast aside in favor of lighter fare. While the intention is good in trying not to bog down the bereaved in more sad thoughts than they already have, not addressing the elephant in the room can make the trauma of loss even scarier for a child. Making time to talk personally and honestly with a child about difficult topics such as the idea of an afterlife and the cycle of life, as well as memories of the deceased person can comfort children who may worry that they are bad or strange for dwelling on something that makes people sad. Just be careful to avoid euphemisms when discussing death with a child, which could make a kid feel talked down to or just confuse them more on what death actually entails.

 

Allow Children to Express Grief in Different Ways at Different Times

While some children primarily process their grief verbally, it is not the only way to do so. Many children find that they can better express their thoughts about a death through a creative endeavor such as drawing, writing a story, or making up a dance. Others may need to do productive physical activities such as yard work or running around to burn off excess frustration that can build up due to anger about the death. The important thing is that the child is not bottling emotions up and is processing them in a way that feels comfortable and is developmentally healthy. If a child starts showing signs of severe depression or anxiety related to the death, contact a child psychiatrist or psychologist experienced in dealing with bereaved children for further constructive assistance to the child in the grieving process.

 

Remember that Everyone Grieves at Their Own Pace

Just like there is no “right” way to express grief, there is no “right” time to do so either. Some children start to feel the effects of grief immediately after a loved one passes away, and that is normal. Some children don’t fully begin to articulate the grieving process until days or even weeks after the death, and that is normal too. Grief is very personal, with no standardized timeline to pinpoint when a child should start and stop. However, if a child is still showing signs of denial of the death or avoidance of grief altogether, a specialist should be consulted to ensure severe emotional issues do not develop over time.

 

Though it is impossible to bring the loved one back to life, there are so many ways to show a child the love and support needed to get through the herculean challenge of processing grief in a healthy manner. For more advice on guiding children through the idea of death and grieving, Star Bright Books is proud to point to the enlightening work of childhood grief advocates Miriam Cohen, Ronald Himler, and Susan Kerner. We wish you and your loved ones strength and peace during the holiday season and throughout the new year. And always, always remember that young or old, you are not alone.

 

From Six Is So Much Less Than Seven, written and illustrated by Ronald Himler.

Support Latinx Bookstores!

Have you thought about how you can support non-white businesses? Star Bright Books compiled a list of Black-owned bookstores and publishing houses in a previous post. This piece is dedicated to Latinx-owned literary establishments.

 

Many Latinx bookstores are located in low-income, vulnerable communities and are integral to maintaining a literary culture in their local communities. If you are looking for a new book establishment to support, please consider visiting one of the stores below or ordering online or via curbside.

 

Click on each bookstore name to visit its website. And click here for even more Latinx stores to support!

 

Arizona

California

  • Cellar Door Bookstore
    • Address: 5225 Canyon Crest Dr. #30A, Riverside
    • Phone: 951-787-7807
    • Email: info@cellardoorbookstore.com
  • La Libreria
    • Address: 4732 W Washington Blvd, Los Angeles
    • Phone: 310-295-1501
    • Email: info@la-libreria.net
  • LibroMobile Bookstore
    • Address: 220 E 4th St #107, Santa Ana
    • Phone: 657-205-9907
  • Libros Schmibros Lending Library
    • Address: 103 N Boyle Avenue, Los Angeles
    • Phone: 323-604-9991
    • Email: library@librosschmibros.org
  • Other Books
    • Address: 2006 E Cesar E Chavez Avenue, Los Angeles
    • Phone: 323-742-5409
    • Email: otherbooksla@gmail.com
  • Seite Books
    • Address: 417 N. Rowan Ave., Los Angeles
    • Phone: 323-526-1369
    • Email: contact@seitebooks.com
  • Tia Churcha’s Centro Cultural
    • Address: 13197 Gladstone Ave. Unit A, Sylmar
    • Phone: 818-939-3433
    • Email: info@tiachurcha.org

Florida

  • Altamira Libros
    • Address: 1800 SW 1st Ave. 6th Floor #604, Miami
    • Phone: 786-534-8433
    • Email: info@altamiralibros.com
  • Third House Books
    • Address: 400 NW 10th Avenue, Gainesville
    • Phone: 352-317-5387

New York

  • The Bronx is Reading
    • Address: 1125 Grand Concourse, Bronx
    • Phone: 347-202-3713
    • Email: events@thebronxisreading.com
  • Cafe con Libros
    • Address: 724 Prospect Pl, Brooklyn
    • Phone: 347-460-2838
    • Email: info@cafeconlibrosbk.com
  • Drama Book Shop
    • Address: 266 W 39th St, New York (New Address)
    • Phone: 212-944-0595
    • Email: info@dramabookshop.com
    • Now owned by Lin-Manuel Miranda and other collaborators on Hamilton!
  • Hipocampo Children’s Books
    • Address: 638 South Avenue, Rochester
    • Phone: 585-461-0161
  • Kew and Willow Books
    • Address: 8163 Lefferts Boulevard, Kew Gardens
    • Phone: 718-441-0009
  • Librería Barco De Papel
    • Address: 4002 80th St., Elmhurst
    • Phone: 718-565-8283
    • Email: libreriabarcodepapel@yahoo.es
  • The Lit. Bar
    • Address: 131 Alexander Avenue, Bronx
    • Phone: 347-955-3610
  • Mil Mundos Books
    • Address: 323 Linden Street, Brooklyn
    • Phone: 347-425-7077
    • Email: info@milmundosbooks.com
  • Word Up Community Bookshop / Libreria Comunitaria
    • Address: 2113 Amsterdam Avenue, New York
    • Phone: 347-688-4456
    • Email: info@wordupbooks.com

North Carolina

Puerto Rico

  • El Candíl
    • Address: 93 Calle Unión Esq. Sol, Ponce
    • Phone: 787-242-6693
  • The Bookmark
    • Address: San Patricio Plaza, 2 Gonzalez Giusti Ave. Suite 1, Guaynabo
    • Phone: 787-710-7848
    • Email: info@thebookmarkpr.com

Texas

  • Red Salmon Arts
    • Address: 2000 Thrasher Ln., Austin
    • Phone: 512-389-9881
    • Email: revolu@resistenciabooks.com
  • The Storybook Garden
    • Address: 260 S. Texas Blvd., Suite 106, Weslaco
    • Phone: 956-968-7323 

Online-Only

  • Booklandia
    • Phone: 510-519-4436
    • Email: hola@booklandiabox.com

 

The Importance of Picture Books

Photo by Christina Rose Pix.

Picture books offer something special for children who are first learning how to interact with the world around them. Simple depictions of everyday occurrences take on a new meaning and play a critical role in the development of children’s language skills, visual thinking, and emotional literacy.

 

Building Language Skills

Parents are often advised to read to their children every day as soon as—if not before—they are born. In fact, this is backed by the American Academy of Pediatrics, which based its suggestion on research showing that children whose parents talk to them more have an advantage in school over children whose parents talk to them less. Vanessa LoBue, PhD explains how one advantage lies in the number of words children are exposed to when parents speak to them out loud. She further clarifies that when parents make an effort to read to their children, they expose them to different words that are not regularly used.

 

As children grow and begin to speak, they learn how to recognize sounds and patterns in spoken language. This is known as phonological awareness. Picture books tend to have a certain rhythm that makes it easy for children to develop and practice phonological awareness. At the most basic level, picture books help children understand that words convey meaning by creating a connection between the pictures and the words on each page. The pictures give visual clues for children to decode the text and help develop their vocabulary.

Not all picture books utilize a strict rhythmic pattern, but this isn’t necessary to help increase phonological awareness and comprehension. In fact, children might start to gravitate to a particular book and wish to re-read one book over and over again. This repetition can help children get better at hearing, identifying, and manipulating individual sounds in words. Additionally, by reading the same book each day children have more opportunities to visualize the links between how a word is spelled and how it is pronounced.

 

Inspiring Visual Thinking

Along with the introduction of new words and rhythms, picture book illustrations bring the pages to life and help children understand what they are reading. Therefore, even if children have a difficult time understanding the exact words in the text, the illustrations can help them comprehend the narrative.

 

One major part of reading comprehension is the ability to summarize a story. This is why picture books are neatly organized into identifiable beginnings, middles, and ends with the visual aid of illustrations: to remind the reader what is happening throughout the story, allowing them to confidently retell key events. This also teaches children how to make predictions about what will happen next.

 

Promoting Emotional Literacy

Picture books have also been proven to help expand a child’s emotional literacy, or  the ability to express one’s emotional state and communicate one’s feelings.  Emotional literacy is one of the most important social skills a child can develop because it is the first step in the development of empathy, which allows children to recognize and respond to the emotional states of others and create deeper connections with their peers.

Photo by Robert Kneschke.

Emotional literacy starts around the age of four and continues to develop into adolescence, which correlates to the average age of picture book readers. It may develop more slowly in children on the autism spectrum. Emotional literacy can also be taught, which is where picture books are helpful as they allow children to indirectly experience the emotions of the characters through text and imagery. This gives children exposure to a variety of emotions and situations that they can then apply to everyday life.

 

Star Bright Books recognizes that picture books create a much-needed foundation for children to develop their language, visual, and emotional skills. Visit our main website for books that will showcase diversity and promote phonological awareness!

What Kind of Learner Are You? Auditory, Visual, or Kinesthetic?

For parents, educators, older siblings, or anyone guiding a child through the stages of their learning process, it can be useful to know how best they learn. When you picture studying for exams or researching for projects, what strategies come to mind? Color-coding notes? Flashcards? Audiobooks or reading articles out loud? You or your child might not know which way works best or do all three, and that’s fine.

 

There are three different learning strategies within the Theory of Multiple Intelligences (MI) that could be helpful to any individual young, old, or in between: visual , auditory , and kinesthetic!

 

Children carry these learning strategies into high school or college. It can be fun for elementary and middle school students to take the MI test and discover new things about themselves.

 

From First Grade Takes a Test, written by Miriam Cohen and illustrated by Ronald Himler.

 

What is the Theory of Multiple Intelligences?

Howard Gardner, an American developmental psychologist, developed the theory through the late 1970s to early ’80s.

 

The theory totals seven types of learning, but this post will focus on the three most overlooked: auditory, kinesthetic, and visual. The other four types are intrapersonal, interpersonal, logical-mathematical, and linguistic, which are readily integrated into a classroom curriculum. It is difficult to make auditory, visual, and kinesthetic learning part of a teacher’s lesson plan because they are individual to each student.

 

Auditory Learners

Auditory learners retain concepts best when learning materials are spoken aloud. They like to hear words read aloud and annunciated, listen to music while working, and prefer a lecture over reading assignments that require visual focus.

 

To help an auditory learner hone their skills, have them make up song lyrics to correspond with what they’re learning, listen to wordless music or a favorite genre while working (have them test it out to see which works best), capture their intrigue with language patterns, and refer to audio lessons or readings (if possible).

 

Visual Learners

Visual learners can be marked by young, enthused readers that move from picture books to chapter books comfortably, recall stories in photographic detail, and enjoy drawing or painting. Students typically sit at the front of the classroom and request to see a method (math problem or spelling) conducted before they try their hand at it.

 

To aid a visual learner, have them watch video tutorials, examine diagrams or handouts, use highlighters to color-code notes, make flashcards, create a non-distracting work environment, and use white boards to try out concepts.

 

Kinesthetic Learners

Kinesthetic learners are characterized by learning through touch, movement, and motion. Children tend to prefer interactive books and museum displays, building 3D sets or clay models over 2D art, and holding items to understand them better.

 

To support a kinesthetic learner, purchase textured paper and pencils of different shapes and sizes, pattern blocks for math, and alphabet magnets or blocks for spelling comprehension; place them at a standing desk or a seat higher above the table’s surface to decrease fidgeting; and encourage finger-snapping or clapping while studying (so long as it’s not disruptive to others).

 

Can you be all three? How can I find out which way I learn best?

Of course! Most people are a combination of all three, with varying traits outweighing the others.

 

If you’re curious how you learn best, you can take this 20-question quiz. It takes roughly 3 to 5 minutes, and there is an additional page if you would like to examine all three learning styles.

The test results will give you a percentage breakdown based on which letter you answered the most to the least (A, B, or C). It’s good for upper-grade elementary schoolers, middle schoolers, early high schoolers, or any adult dying to know how to better prepare themselves for their next presentation.

 

Understanding how you or your child learn most efficiently can be useful in a social, work, or school sphere and lead to deeper self-awareness. Make sure to ask your child or yourself what is working and what isn’t. By identifying learning strengths, weaknesses become easier to tackle.